Image Craving/Good Night

July 29, 2009

Speaking of artists, and muses, and madness…

by Camille Claudel

by Camille Claudel

Je vous aime. Bonne nuit.

Theme of the Week

July 29, 2009

I am feeling: tired, inadequate, weepy. Three faculty members of the program read aloud tonight, and I had one of those, “Dear God, I should not be allowed near a typewriter or a pen or an inkwell, EVER” moments. One man used the word “rhapsodic” and my heart melted. I had forgotten about that word. Our faculty members (all brilliant and intimidating) bombard us with their choice of readings, tight, profound little tearjerkers, sidesplitters, pontifications on Love and Life and Death…things that make you think.

But I come back to my room and no rhapsodizing for me. I stare at the word count on my manuscript and feel immediately and entirely depleted. Everyone says it is good, but it feels…lacking. Maybe it’s Tuesday. Maybe my headache is getting in the way. I think about my boss and my ex-boyfriend, the way he mined my persona for idiosyncratic nuggets, for Inspiration (that ephemeral bitch), and called me Gala, after Dali’s wife and muse. It sounds laughable now. I remember the man on the street in Paris who wanted to draw my face (not in Montmartre, Mon Dieu), and the way my friend said, upon seeing him sketch, “I think you should be a muse…for an artist.”

But one cannot be both an artist and a muse, right? You’re either one, or the other. So maybe I’m going about this all wrong. Maybe I’m supposed to abandon the practice of creating myself and focus on nurturing the creative spirits of others. I’ll make tea for sculptors and pray for avant-garde filmmakers to have hallucinogenic dreams. I’ll pretend not to notice when a painter examines my profile, and though I don’t think of myself as “pretty” now, there is still time. “I’ve never met a writer’s wife who wasn’t beautiful,” Kurt Vonnegut said. If I become beautiful by being the object of artistic scrutiny, then I can marry a writer, maybe, and help him up when he stumbles, drunk, hold his clammy arm to steady him over the threshold of our beach cottage.

But this is wishful thinking, I know. The “writer” in me longs to be free of words, of the urge to wrestle to communicate, a losing battle, always. Never is it more apparently sad and invigorating and overwhelming than it is here, at writing camp.

And the cafeteria food! Oy vey.

The Visual Equivalent of Writing Camp

July 28, 2009
dsaofijopesirfjapsoidfjalwekjra osidgjpvoasidfjpaosijer sdf;lK !!!!!

dsaofijopesirfjapsoidfjalwekjra osidgjpvoasidfjpaosijer sdf;lK !!!!!

A Goodnight Poem

July 28, 2009
Goodnight, Moon

Goodnight, Moon

“In my dreams you walk dripping from a sea-

journey on the highway across America in tears

to the door of my cottage in the Western night”

~Allen Ginsberg

Why So Sleepy?

July 27, 2009

I always anticipate being prolific at writing camp, but in reality, my brain sort of turns to mush, and all the talk of craft and prose and narrative arc makes me crave stupid shit like US Weekly and shopping.

I’ve been thinking about starting a new category recently, and here it is: really awesome insults! Or, should I write: Really Awesome Insults! The first is from our dear friends, The White Stripes, from their song “There’s No Home For You Here.”

“I’m only waiting for the proper time to tell you
That it’s impossible to get along with you
It’s hard to look you in the face when we are talking
So it helps to have a mirror in the room.”

Burn, Jack White. Burn.

The Reason for the “Silence”

July 27, 2009

Hungover, in Baltimore at writing camp, eating nasty honey mustard and onion pretzels. There was a centipede in my room when I got here. I forgot Infinite Jest, and my pillow, but only the first is devastating. I want to write because my brain is buzzing but I still feel nauseated and so most likely will end up just watching Intervention until I pass out.

Sweet dreams, kiddos…

Is This Funny?

July 24, 2009

Isn’t it funny when technology tries to tell you what you like?

Right now, according to my Netflix, I ought to seriously considering renting…

Crime dramas from the 70s

Movies Starring Audrey Hepburn

Critically-acclaimed Visually-striking Cerebral movies (Is this a genre?!)

Dark movies based on real life

Suspenseful cult movies

chinatownOkay, so maybe I’ve seen (and enjoyed) half the movies on this list, but I still think my iPod has this conspiracy where it makes happy songs come on my shuffle when I am in NO MOOD to be cheered up.

As Promised, Ladies and Gentlemen…Jim Jones!

July 24, 2009

Okay, so, long story short, I found the Jim Jones death speech online. Some of you may think my morbidity knows no bounds.

http://www.archive.org/details/ptc1978-11-18.flac16

But I think it’s just fascinating.

“…A thing which has not been understood inevitably reappears; like an unlaid ghost, it cannot rest until the mystery has been solved and the spell broken.”

(Sigmund Freud)

Image Craving

July 23, 2009
Petah Coyne's Little Ed and Margaret

Petah Coyne's Little Ed and Margaret

Petah Coyne is a sculptor who works with flowers, birds, and wax, and deals with issues of femininity and death.  Okay, sure.  At least it’s not mockumentary.

Jesting, Infinitely, Part…I Mentioned Infinite, Right?

July 23, 2009

Mario Incandenza, the multiply-challenged middle Incandenza bro, is my new guru.

“[Mario’s] prayers take almost an hour and sometimes more and are not a chore.  He doesn’t kneel.  It’s more like a conversation.  And he’s not crazy, it’s not like he hears anybody or anything conversing back with him, Hal’s established.

Hal had asked him when he’ll start coming back to their room to sleep, which made Mario feel good.

He keeps trying to imagine Madame Psychosis — whom he imagines as being very tall — lying in an XL beach chair on a beach smiling and not saying anything for days, resting.  But it doesn’t work very well.

He can’t tell is Hal is sad.  He is having a harder and harer time reading Hal’s state of mind or whether he’s in good spirits.  This worries him.  He used to be able to sort of preverbally know in his stomach generally where Hal was and what he was doing, even if Hal was far away and playing or if Mario was away, and now he can’t anymore.  Feel it.  THis worries him and feels like when you’ve lost something important in a dream and you can’t even remember what it was but it’s important.  Mario loves Hal so much it makes his heart beat hard.  He doesn’t have to wonder if the difference now is him or his brother because Mario never changes.

He hadn’t told the Moms he was going to walk around after he left her office after their interface: Avril usually tries in a nonintrusive way to discourage Mario from taking walks at night, because he doesn’t see well at night, and the areas around the E.T.A. hill are not the best neighborhood, and there’s no skirting the fact that Mario would be easy prey for just about anybody, physically.  And though one perk of Familial Dysautonomia [inability to feel pain very well] is a relative physical fearlessness, Mario keeps to a pretty limited area during insomniacal strolls, out of deference to Avril’s worry.  He’ll sometimes walk around the grounds of the Enfield Marine P.H.H. at the bottom of the hill’s east side because they’re pretty much enclosed, the gruonds are, and he knows a couple of the E.M. Security officers from when his father got them to portray Boston police in his whimsical Dial C for Concupiscence; and he likes the E.M. grounds at night because the different brick houses’ window-light is yellow lamplight and he can see people on the ground floors all together playing cards or talking or watching TP.  He also likes whitewashed brick regardless of its state of upkeep.  And a lot of the people in the different brick houses are damaged or askew and lean hard to one side or are twisted into themselves, through the windows, and he can feel his heart going out into the world through them, which is good for insomnia.  A woman’s voice, calling for help without any real urgency — the Moms laughing or screaming at night — sounds from a darkened upper window.  And across the little street that’s crammed with cars everybody has to move at 0000h. is Ennet’s House, where the Headmistress has a disability and had had a wheelchair ramp installed and has twice invited Mario in during the day for a Caffeine-Free Millenial Fizzy, and Mario likes the place: it’s crowded and noisy and none of the furniture has protective plastic wrap, but nobody notices anybody else or comments on a disability and the Headmistress is kind to the people and the people cry in front of each other.  The inside of it smells like an ashtray, but Mario’s felt good both times in Ennet’s House because it’s very real; people are crying and making noise and getting less unhappy, and once he heard somebody say God with a straight face and nobody looked at them or looked down or smiled in any sort of way where you could tell they were worried inside.”

I think I’ve reached the “exhaustive account of a tennis match” mentioned in Dave Eggers’ foreword, so don’t expect an update from DFW-land