SS: i just emailed my mom asking if we can postpone my bday until I’m feeling less depressed…
ID: awwwwwww
that’s so terrible and yet i laughed a little
SS: i just emailed my mom asking if we can postpone my bday until I’m feeling less depressed…
ID: awwwwwww
that’s so terrible and yet i laughed a little
Today, I received an email invite to a fancy party to sponsor a ballet school. I received this invite because once, in college, when I thought for about 5 seconds that I might end up being a socialite, I went to a similar party for this ballet school, which is known for attracting chichi patronage. I also went to the party in college because I was attracted to ballet and ballerinas because of the delicate, graceful aspect of the dance, which I thought maybe I would be able to develop by simple proximity. (It didn’t work.)
Anyway, this invite, like all the others, listed at the side of the page the names of the people on the junior committee. What this is, exactly, or what being on the junior committee of any philanthropic organization entails, I’ve never been able to figure out. Still, though, I always scan the names to see if I recognize any. Why I do this, I’m not entirely sure. It could be that if I recognize one, it makes me feel somewhat closer to that fancy version of New York I once believed in –– the one in which lithe women lift up their gowns to hail cabs and the soundtrack is always fluttering laughter and the clinking of champagne glasses –– or it could be that I like to test exactly how entrenched I am in this city by seeing if I can pick out someone I know in any given situation. It could be both.
On this invitation, I immediately recognized one of the names listed. EC and I were in a group therapy together when I was in college and she was in high school. This has to be almost nine or ten years ago. I think we only overlapped by a few sessions, as my attendance at this group was sporadic over the five years or so I participated, so while I don’t have many memories of her, what I do have is crystalline. She was Turkish, with a deep blond hair and a touch of olive in her skin. Her disposition was sweet. I remember the therapist mentioned that her father had recently died, and when I said I was sorry, her eyes welled up with tears. I remember her saying that she drank Frappuccinos often because it was easier for her to get calories in that way. I think she may have gone to a rehab program in Arizona, but I’m not 100% sure on that.
If I were to see this girl on the street, I would probably recognize her, but I doubt she would even give me a second glance, and why should she? We met a handful of times almost a decade ago. Since then, I learned from Googling her, she’s been to college and gotten her MFA. She has a job at a big deal real estate firm. She’s involved in high profile philanthropy projects. There’s a picture of her on Patrick McMullan’s website. In short, she’s had a life, a real one, so it seems, and probably, hopefully, any space that I took up in her brain has been taken over by someone or something more important, some relic of a better time. If the situations were reversed and she saw my name on a list or an invite somewhere, would she spend 20 minutes writing about me in a kind of quasi-memorial? Or would she just glance over my nomenclature and think, “Just another girl on a board somewhere?”
Normally an invite like this I’d just toss in my e-trash can, but I’ve left it so far in my inbox. I considered using her real name here, in hopes that maybe she has a Google Alert out on herself and would find this and get in touch, but I figured that might not be nice as everyone deserves to keep their pasts private if they so choose. Maybe she doesn’t want to think about the time she spent sitting on floor cushions in a therapist’s office crying to a group of girls about the horrors of consumption. I even thought about paying the $85 –– throwing the money away, essentially –– and going alone to the party and watching everyone air-kiss. I’d just stand by myself, scanning the crowd for her. When I spotted her, I’d linger in her line of vision to see if she recognized me. If she didn’t, maybe I’d rush up and ask, “Do you remember me? Tell me: are you okay now? Are you happy? Because I’ve been worried.”
where we are (for edward field)
i envy those
who live in two places:
new york, say, and london;
wales and spain;
l.a. and paris;
hawaii and switzerland.
there is always the anticipation
of the change, the chance that what is wrong
is the result of where you are. i have
always loved both the freshness of
arriving and the relief of leaving. with
two homes every move would be a homecoming.
i am not even considering the weather, hot
or cold, dry or wet: i am talking about hope.
~ Gerald Locklin
If I were free this weekend, I would totally take advantage of this volunteer opportunity:
***** HELP: SATURDAY *****
Blind Party
Volunteers needed to help totally blind people with a pizza party.
Contact for address, Manhattan
2-5p
Contact: Alice xxx-xxx-xxxx
I learned from Going Clear (where else?) that Paul Haggis and some friends –– including a peace activist?! –– have a monthly boys’ night during which they make fancy cocktails and talk about any number of topics. A writer for the Times wrote about this tradition of theirs back in 2005. Here’s a snippet:
“Until 2000 Mr. Haggis had toiled for almost 25 years as an Emmy-winning but frustrated television writer. He made a lot of money, but he worried that his co-creation of the hokey television series Walker, Texas Ranger would constitute his legacy.
Then, early this year, came the success of Million Dollar Baby. Now he has made his directorial debut with Crash, a searing look at racial and ethnic strife in Los Angeles that he wrote with Bobby Moresco.
The movie, which was produced for $7.5 million, has earned nearly three times as much in the first 10 days after its release on May 6. ‘I thought it could fall flat; who wants to go out on a Friday night to see a movie about race relations?’ said Mr. Haggis, whose film opens with a brutal car accident, which he claims is the only way in which Angelenos interact with strangers.
The maker of Crash wasn’t taking any chances on this evening. After a round of the shudder-inducing cocktails, he suggested to his pals – the actor Josh Brolin, the television writer Stephen Nathan, the film producer Rudy Langlais and the peace activist Blase Bonpane – that they walk to Locanda Portofino, an Italian restaurant nearby.
On the way, the men, who meet every three months or so, talked about earthquakes, Egyptian cotton linens and the preponderance of strip malls.”
You can read the whole thing here.
In Going Clear, Lawrence Wright says that the men decided, after being trailed around by this female reporter, that one lady added nicely to the mix, so they started inviting one lucky woman to every Boys’ Night. One such invitee was Madeline Stowe, who said it was the funniest night of her life but that she wisely brought her husband. Possibility of being made the subject of shady misogyny (is there a different kind?) aside, I still want to be invited.
My editor and publisher and I were discussing titles for my book and got into a bit of a tiff about books with the word “disappear” in the title, so I went onto Amazon to do a little research. The first book I found is called How to Disappear Completely and Never Be Found by Doug Richmond, published by a little outfit called Desert Publications, which puts out “scores of modern-day books and manuals that are the finest in survival, self-defense, military and police science, firearms and alternative energy books.” The summary of Richmond’s book says that, “Doug Richmond has never changed identities. But as a journalist traveling the world, he has collected statements from dozens of people who have. What makes this book so incredible is that every scrap of information is based on case histories that are undeniably true. .. [This book] contains heavy-duty disappearing techniques for those with a ‘need to know.'”
The best part, however, of stumbling upon this title –– which I believe will come in handy for me sooner rather than later –– is reading this reader review:
CB, an inventor, and me, a putterer, discuss our professional lives:
CB: anyway, HOW ARE YOU?
ID: I’m ok
I took yesterday and today off to edit
Last night i was up until 5:30 am
not working but stewing
so today has been slow going
CB: ah, geez
yeah, exhaustion is a real bitch
ID: i mean, i would be more sympathetic to myself if i had been up working
but i was just obsessing
that’s all
so it wasn’t helpful
CB: hahaha
obsessing over what?
ID: if the manuscript will come together in the end
CB: i know the feeling
ID: how i’m ever going to finish it
if it sucks
if i suck
etc.
CB: i call those “cliff days”
ID: if the other people in my field who claim to feel self-doubt REALLY feel it
CB: as in you’re standing at the bottom, looking up at the giant cliff
CB: you’re preparing to unveil this thing you’ve created
ID: it’s like a g-ddamn vortex
CB: and it’s terrifying
i can’t tell you how many times i’ve wanted to throw my work in the trash
and pretend like it never happened
ID: totally
i’m like “i know
i’ll buy a one way plane ticket to tulsa
and reinvent myself as a fat administrative assistant at a packaging plant
and no one will ever have to know i had artistic ambitions
CB: hahahahah
well said
ID: maybe i’ll have a cat calendar
and i’ll allow myself to be genuinely emotionally invested in things like the tv show revenge
and we can just forget about all this ambitious nyc baloney”
CB: hahahahahahahaha
ID: i’m going to write a movie
about a woman like that
and someone uncovers her dark past:
she was once a wunderkind painter living on the Bowery
CB: it sounds like a more depressing version of What’s Eating Gilbert Grape
ID: with a few gallery shows to her name
but she cracked under pressure, and took refuge in the dull milieu of the plain states
and then her young male colleague, who discovered her secret through some internet sleuthing, professes his artistic ambitions to her
and they fall in love
and come to terms with their past –– and themselves
tearjerker!
CB: hahahah
what would it be called
ID: hm
good question
i’ll have to muse on the titles
some options:
1. we were once famous
or we were once artists
CB: They Used to Paint
ID: yes
that’s great
they used to paint
starring garrett hedlund and jennifer jason leigh
CB: i could be a parallel character to yours
i throw my inventions in the trash and move to the hills of west virginia
where i fall in love with a savage mountainwoman
ID: based on jodie foster’s nell
CB: and together
we build things WORTH building