Archive for the ‘Things I Love That I Go to Inappropriate Lengths to Track Down’ Category

A Psychology Writer’s Fantasy

May 9, 2014

“I also had the benefit of being given completely free rein to wander into any office, basement, attic or storeroom at Chestnut Lodge over a five-year period and read whatever I found there.  Because the Lodge’s archives were being created during precisely these years, I was allowed the pleasure of reading each manuscript, listening to each tape, and studying each photograph within a few months of its discovery.  This is every biographer’s dream: being handed the keys to a room filled with treasures and told simply to turn out the lights at the end of the evening.  (Since I was on the grounds of a still-vibrant mental hospital, I was also told that if I wanted lunch or dinner in the cafeteria as a break from working, I should simply sign myself in under ‘guests.’)  Researchers who must rely on archives constructed according to someone else’s plan have to spend a lot more time searching for what they need than I did.”

~ From Gail Hornstein’s (excellent) biography of Frieda Fromm-Reichmann, To Redeem One Person Is to Redeem the World

A Tweet, and a Theory

May 8, 2014

A Tweet: @Green-WoodCemetery––You should have a writer’s residency program like AmTrak.

A theory: There are two kinds of people in the world: those who are comforted by knowing other people have problems very similar to their own and those who are comforted by knowing other people have problems very different than their own.

DEAR HARPERCOLLINS

May 1, 2014

Please let me read the audiobook version of To Kill a Mockingbird!

To Kill a Mockingbird will finally be available as an e-book and digital audiobook this summer after self-described “old-fashioned” author Harper Lee signed off on allowing the Pulitzer Prize-winning classic to enter the digital age.

In a statement released through her publisher HarperCollins, Lee, who turned 88 on Monday said:

“I’m still old-fashioned. I love dusty old books and libraries. I am amazed and humbled that ‘Mockingbird’ has survived this long. This is ‘Mockingbird’ for a new generation.”

The digital copies will be available for download on July 8. The e-book will be “enhanced” and will include additional material, although a spokesperson from HarperCollins said the extra features had not yet been determined.

(via––sigh––Jezebel)

Update: Sissy Spacek is reading it.  I guess that’s an okay choice.

Day After Birthday

April 29, 2014

Thinking, as usual, about my current real estate obsession, the Villa Charlotte Bronte.

“To get to one apartment, you have to go down two flights toward the Hudson, then turn right and go up two flights to the front door. Another front door is behind a small arched grotto. A third is at the end of a thin, high-flying concrete walkway with a skinny iron railing, cantilevered out over a long and nasty drop to the railroad tracks below.

“The two buildings are like a fantasy sand castle for the Amalfi coast designed by M. C. Escher. The exterior is artfully roughened stucco, with irregular brick, odd stones and bulbous roof tile in a tangle of orange, green, blue and red, as if by Antonio Gaudí. Each apartment has at least three exposures through steel casement windows, with a private entrance and a wood-burning fireplace. The Hudson River views range from sliver to sumptuous. The complex is surrounded by a network of walkways threaded through lush planted areas.”

You Know You Are a Nerd…

March 31, 2014

when you get starstruck seeing the very pretty bookstore maven Sarah McNally at a Park Slope eatery.  SARAH I LOVE YOU!

Baby Burlesks

February 16, 2014

While reading Shirley Temple’s fascinating, obituary, I came across the mention of Baby Burlesks, a series of very short films Temple starred in before she made the big time.  According to Temple’s autobiography, the films were sexually suggestive and also kinda racist, and when the child actors misbehaved, they were (from the Times) “locked in a windowless sound box with only a block of ice on which to sit.”  WHAT THE FUCK!?

The movies really are as weird as Temple (and others who have sought them out) described them.  Check out War Babies, in which Temple is a dancer in a bar juggling the hearts of two admirers.

(Also, did you know that Temple had exactly 56 perfect ringlets?  My inner child is dying of envy right now.)

Dictionary Clutch

February 12, 2014

Always a coveter, never an owner.

Spotted on MLE

Spotted on MLE

My Out Of Office

January 7, 2014

Hi!  I regret to inform you that I am unable to respond to a vast majority of emails during the year 2014 as I am developing a secular version of consecrated ermeticism and then immediately inducting myself into the order.  Thanks!  xx ID

Whaddya think, too much?

The Island That Swallowed the Elephant

December 9, 2013
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Picture by GL

“The 1929-30 two year period in Argentina ([Saint Exupery] should have stayed a few months) will be memorable. In Buenos Aires he writes Night Flight, inspired by his own adventure in Patagonia, which was released in 1931 (the Prix Femina will consecrate him as a writer), and meets the greatest and most tormented love of his life, Suncin Consuelo Sandoval de Gómez, the red rose of the Little Prince, the only woman poetic and whimsical enough to be able to see the profile of a boa eating an elephant in his famous drawing of The Little Prince, inspired by the profile of an island in front of Peninsula Valdez.”

World, Meet Hipsid: A Cultural Profile

November 20, 2013

File this under: essays no one would publish that I still think are genius!

Crown Heights Frock Swap!

Crown Heights Frock Swap!

            In the summer of 2003, I was in between my freshman and sophomore years of college, living in a dorm near Union Square and mostly forwarding the calls from my internship at a hugely popular television show to my cell phone so I could spend the day watching skateboarders do tricks in the park and eating Tasi-D-Lite.  A friend––I won’t name her, because I’d be throwing her under the bus alongside myself––planned for us to trek out to Williamsburg, which was then being touted as the untapped cool neighborhood.  Here’s the part where I out myself: we both owned a novelty book called The Hipster Handbook, and proclaimed that by summer’s end, we, too, would be hipsters.  One bright Sunday, we took the L out to Bedford Avenue, got out, and strolled around.  We found naught but three shuffling Satmars, ugly, squat buildings, a Hispanic deli, and four slim, pale dudes sporting little glasses and sneers and hawking iced coffee.  We stayed for about 45 minutes, then got bored and went back to Manhattan.

            Fast-forward ten years to today, at which point it seems obvious that the hipster isn’t going anywhere.  It’s not even fun to kvetch about hipsters anymore; that got old around 2010, after a bevvy of writers in publications from the Utne Reader to New York to Rolling Stone weighed in on how annoying and pretentious these American-Spirits-smoking, Grizzly-Bear-loving[1] snarky motherf*^)ers were.  What is interesting, however, is examining the definition of hipster and how it has changed over the years.  The characterization has gone, to simplify, from vague to vaguer.  In 2010, we all knew that hipster-ism had something to do with disaffection, cheap beer, and the most populous of the outer boroughs, but that was as close to a strict definition one could get.  Now, in 2013, we are even further from the comprehensive delineation of hipster than we were three years ago.  Sustainable foodie culture, DIY-ism and Mommy Blogging have all been integrated into hipster culture the way that flour is folded into organic cake batter.  Now, if you live in Brooklyn and are under 40 (or appear to be) you are a hipster.  That is, people believe you to be a hipster if you possess those two criteria, despite your penchant for baggy jeans over skinny, and being labeled a hipster by others is one surefire sign that you are a hipster.  (Denying you’re a hipster is another.)  Whereas I, for example, would not have qualified as a hipster when I was in college ten years ago, technically now I am diagnosable, despite some very un-hip aspects to my personality (examples include being facially animated, loathing indie rock and not really caring when someone assumes I am a hipster.)  

            In the beginning, G-d created Adam, and Adam was a human.  When Eve was fashioned, then we had to use a folk taxonomy to distinguish between types of humans: man, and woman.  Soon, there were many tribes, and then it was important to differentiate the descendents of Shem, Ham, Noah, and Japheth (a hipster name if I ever saw one.)  Like then, we now find ourselves in a position where we have to classify species of hipsters within the already-defined genus.  These species include but are not limited to the following:

 

Fripsters: hybrid of frat boy and hipster.  Tend to enjoy craft beers, smoked meat, and consuming said at bars where at least one television is playing a sporting event

 

Yupsters: hybrid of yuppie and hipster (Some use yipster, but I use it only as the diminutive––a tiny yupster.)  Gravitate toward the most-buzzed about locavore restaurant in Bushwick, make six figures working at corporate law firms.  

 

Hipburbans: Former Brooklynites who have relocated to Beacon, Newburgh, or similar Hudson Valley towns to restore old houses and brew barley wine.

 

Hip-Hopster: Favors over-sized glasses, kitsch fake gold and old school hip-hop. 

 

            But there is one type of hipster that has not been given its appellative due.  Ladies and gentlemen, may I (and Dov Charney) present to you the hipsid (alternate spellings: chipsid, chipssid, hipssid.)  You see these hipsids all throughout your familiar hipster Brooklyn haunts: biking in Prospect Park with tzizit swaying in the breeze, drinking beer at Franklin Park on a shidduch date, ornoshing on gourmet pizza at Basil Restaurant (featured in the Times!)  They tend to live on the Prospect Heights/Crown Heights border, so as to be within walking distance of the Franklin Avenue bar scene and Ahavas Yisroel.  They make funny viral videos about facial hair, write tznius fashion blogs, organize skirt swaps, cook elaborate meals with herbs grown in their garden, and clear out warehouses to launch impromptu art exhibitions.  But while the hipsid is into alternative music (preferably live), ironically bright footwear, and organic foodie-ism, unlike his lawless counterpart, the hipsid will only indulge in halachically-sound versions of these things.[2]  Whereas a hipster will listen to indie rock (or whatever it is they/we like) regardless of the performer’s gender, a hipsid dude will make sure the singer isn’t a lady, citing the doctrine of kol isha.  The female hipsid will decorate herself with colorful bangles or a pop of print, but she certainly won’t bare tattooed shoulders by donning baby doll dresses, or wear pants, let alone ones that are strategically torn.  Like hipsters, hipsids flout some rules, but cling fast to other symbols of conformity and tradition.  When I saw the all-female Bulletproof Stockings perform, for example, the audience was made up solely of chicks, but the band’s drummer wore bright crimson lipstick, despite the fact that the color red is generally not so kosher in the Hasidic world.  And while the streets of hipsters Williamsburg are jam-packed on Friday nights with kids lighting cigarettes and spliffs on street corners, the hipsid remains at home, around a different type of lit monument to separation and specialness.

Writers and cultural pundits have, for a while, danced around the idea of the hipsid, but most have noted the humorous disparity between the two groups, rather than recognizing that in fact an entirely new hybrid was being born, not through cross-fertilization but rather a process that involves gentrification, cultural globalization, and the calculated growth of the Chabad Lubavitch movement, which likely seduces more hipsters toward Judaism than any other institution.  Back in 2008, writer Alyssa Pinsker published an article in the New York Press about dating a “Hipster Hassid.”  She described the hipsid scene perfectly––at a concert, the revelers included “everyone from jappy trustafarians to drunk Hassids in yarmulkes”––but didn’t give the movement a name.  More recently, Sara Trappler Spielman invited us to “Meet the New Baal Teshuvah Artists of Brooklyn” via her article in Tablet Magazine, but this wasn’t an overview of hipsid culture (nor, to be fair, did she peg it that way) because many hipsids are cool-ifying themselves by moving off the path rather than closer toward it.  (The not-so-secret secret Thursday night gathering Chulent, for example, is a hub of hipsid-dom, and a lot of regulars there are refugees from more stringent forms of observance.)  The closest anyone has come to naming this group is when the well-known blog Hipster or Hassid? twice called men whose portraits they featured “chipsters,” which would have been excellent had they been implying we pronounce it gutturally, but I fear that term has already been taken. 

Now that we have classified and recognized the hipsid, you may ask yourself: so what?  What is the point of this ethnography?  I must confess that it has little to do with making a contribution to the anthropological world and more with my own ego.  You see, I love hipsids.  I attend their art shows, follow their blogs and eat their homemade almond-parsley hummus.  They’re like hipsters, only friendlier and more Torah-literate.  I want to be forever bound to them.  Years from now, freshman anthropology students will be writing shitty papers on the sub-populations of New York City, and they will be forced to cite me as the first demographer of hipsids.  Isn’t all announcement of discovery, in some sense, a claim to ownership?  Like HaShem declared to Jacob, I say to the hipsid, “I have called you by name, you are mine.”  (Oy, I’ve lost control of my metaphor.)

World, meet Hipsid.  Hipsid, World.  I have the feeling this is the start of a beautiful relationship. 


[1] The band, not the animal, obvi.

[2] I had to use “ironic” somewhere in here.