Sartorial Dilemma

January 26, 2012

JK from Brooklyn writes:

“What does one wear to a shanty town?”

Some background: J is departing tomorrow to visit a shanty town in South Africa.  See visual aid below.

That's my house on the right.

And so JK has come to me, queen of odd clothing dilemmas (what do I wear to meet a guru?  To attend an ancient, barbaric Jewish ritual in which you swing live chickens over your head?  To stalk an aging miniature poet and endear yourself to him?) to ask for my advice.  Well, first questions first: weather.  Looks like the next few days in South Africa are going to be high seventies/low eighties with a chance of rain and mildly repressed racism.  In that case, I would recommend the following:

Grubby sneakers or work boots (open-toed shoes = dirty feet)

short sleeved white shirts, linen white button downs

slouchy hippie pants of some sort –– not fancy bougie harem pants but something one might have worn to a Phish show in high school when you were into that (not me!)

maybe a head scarf or bandana (check to make sure certain colors don’t mean allegiances to certain shanty gangs)

little to no jewelry whatsoever

ray-bans, or other aviators, that say, “I’m one of those people who cares about the world but also enough about myself to maintain a stylish appearance.”

a saintly aura with a streak of creativeness

***

Other than the ray-bans, all clothing should be earth-toned –– beige, brown, ecru, etc.  I would say challenge yourself to pack as few items as possible.  AND IN THE NAME OF GOD, NO PASTELS!

Texts from Last Night

January 26, 2012

8:31 PM     RG: Spotted: hipster midget with normal sized bike

Whatever Wednesday

January 26, 2012
ID: feels like thursday i think
CA: omg yes it does
i have been dreading a meeting all day, and its actually tomorrow
ID: well… that’s good
or bad… cause you have to wait anxiously?
CA: no, so much better
i couldnt possibly be more hungover right now
no way i could be articulate in that meeting right now
typing emails is enough of a challenge
ID: oh nooooo!
that is the worst
i know people say that all the time
“that’s the worst!”
but actually being hungover at work is really THE WORST
CA: i can usually deal, but today is roughhhhhhhhhh
ID: was last night fun?
CA: so fun
im supposed to be “taking it easy” this week
so obviously i raged extra hard
my friend was dj-ing at a bar in the east village
ID: why were you supposed to take it so easy?
CA: ive just been on a 24/7 no sleep constant whisky party binge in 2012
i dont know what my deal is
it’s like perpetual spring break, high school style
except i have a job
bummer
ID: major bummer
total in cramp in one’s style
CA: i like that sentence
“total in cramp in one’s style”
ID: oops
first “in” not supposed to be there
but sure
CA: everything is funny right now
im gonna tweet that
ID: i know that level of hungover
in which everything is funny
and then also, you are funnier
because you don’t have the strength to censor yourself
CA: ok, i have to send you a picture text
do you get those on yr brick?
ID: yes
CA: ok its important

Text that accompanied picture: "This happened last night. Never been hit on so subtly at Papaya Dog at 3 AM."

ID: AHAHAHAHAH
can you email from your phone?
CA: i dont know how, but i want to
ID: i don’t know how either
was the person hitting on you cute?
CA: like, waiting drunkenly for the L train eating a sexy hot dog
TOO MUCH
ID: hahahahaha
SEXY HOT DOG
CA: not at all. also my roommate and i are both mostly dykes, so it was even better.
barking up the wrong papaya dog*
*see standard disclaimer re: gchats

The Most Titillating Thing I’ve Ever Read

January 25, 2012

The synopsis of Monday night’s Intervention, which I will be watching tonight:

“A woman who lives in an extravagant mansion contends with alcohol addiction and a boyfriend who believes that locking her in a closet will prevent her from drinking.”

OMGOMGOMGOMGOMGOMG!  This is going to be Laney “drives across the country in a limo so she can hang out with her cat Puttentat Ashworth” The Alkie ALL OVER AGAIN!

PSA

January 25, 2012

It’s upsetting to me that I have to say this as it’s so incredibly obvious, but to celebrities/the Hollywood machine: FYI, “exhaustion” is not a diagnosis.  A person cannot be hospitalized or “treated” for it.  If a normal person (or anyone, for that matter) went to the ER and claimed he/she was “exhausted,” the doctor on call would advise them to take a fucking nap.  It is quite apparent to everyone that when you or your client are “hospitalized” for “exhaustion,” you or they are either in rehab or at home cooking up some cough syrup/gasoline concoction.  Your options, as I see it, are either to admit to a problem with the rock, or to lie.  “Pneumonia” is good cover-up, as is anything relating to digestive issues (people don’t want to hear a thing about issues of that particular bodily canal.)  For more information and to request the second edition of The Excuse Handbook, please contact me at itinerantdaughterandson@gmail.com.  Thank you, and we appreciate your effort to help make the society we live in a less shifty and moronic one.

Our House

January 24, 2012

His and hers

Would you move here with me, my sweet?  You can have the white house –– I’m small, and not greedy –– but whenever you like you can walk across the bridge to my blue house.  I’ll make you eggs and tea when you come visit; I’ll hug you and tell you over and over again that you are magnificent.  I’ll read you stories, and let you nap as long as you like.  If you let me, I’ll come visit you, too, and bring my cat and a picnic.  Things will be lovely at our house.

Fun-ish Fact!

January 23, 2012

My colleague HW sent me this interesting tidbit from a book with a most titillating title, the seventh edition of Deviant Behavior by Alex Thios:

“Country music can also exercise a significant influence on suicide. As research has shown, the greater the radio airtime given to a country music, the higher the white suicide rate is. Country music tends to promote suicide by reinforcing preexisting suicidal moods in suicidally inclined listeners. This is because country music conveys many suicide-related themes, such as marital strife and dissolution, alcohol abuse, financial strain, and exploitation at work. A content analysis of 1400 hit country songs reveals that nearly three-fourths deal with the travails of love. Hopelessness further pervades most country songs. while country music cannot by itself drive people to suicide, it can increase suicide risks among those suicidal tendencies (Stack and Gundalach, 1992).”

If the case against Ozzy weren’t already dead…

Sunday Blues

January 22, 2012

The facts the princess learned about Varenka’s past and her relations with Madame Stahl and about Madame Stahl herself were as follows:

Madame Stahl, about whom some people said that she had worried her husband to death and others that he had worried her to death by his immoral conduct, had always been an ailing and hysterical woman.  When, after having been divorced from her husband, she gave birth to her first baby, the baby had died almost immediately, and her relations, knowing how highly strung she was and afraid that the news might kill her, substituted for her dead child one that was born the same night in the same house in Petersburg, the daughter of a palace chef.  That child was Varenka.  Madame Stahl learned afterward that Varenka was not her daughter, but she continued to bring her up, particularly as Varenka soon lost all her relations.

Madame Stahl had been living continuously abroad in the south for more then ten years, never leaving her bed.  Some people said that she had made herself a name by pretending to be a virtuous and highly religious woman; others said that she really was the highly moral being, living only to do good, which she represented herself to be.  No one knew what her religion was, Roman Catholic, Protestant, or Greek Orthodox; one thing, though, was certain: she was on the most friendly terms with the highest dignitaries of all the churches and denominations.

Varenka lived with her all the time abroad and all who knew Madame Stahl knew and liked Varenka, as everybody called her.

Having learned all these facts, the princess found nothing to object to in her daughter’s friendship with Varenka, particularly as Varenka’s manners and education were excellent: she spoke admirable French and English and, what was most important, apologized for Madame Stahl, who regretted being deprived by her illness of the pleasure of making the princess’ acquaintance.

Having become acquainted with Varenka, Kitty became more and more attracted to her friend, finding new things to admire in her every day.

When the princess heard that Varenka was a fine singer, she invited her to sing to them one evening.

“Kitty plays and we have a piano, though not a good one, I’m afraid, but you would give us great pleasure,” said the princess with her affected smile, which was especially distasteful to Kitty now, because she noticed that Varenka had no desire to sing.

But Varenka did come in the evening adn brought some music with her.  The princess had also invited Maria Yevgenyevna with her daughter and the colonel.

Varenka did not seem to mind in the least that there were people there she did not know and went straight to the piano.  She could not accompany herself, but she could sight read excellently.  Kitty, who played well, accompanied her.

“You have an exceptional talent,” said the princess to her after Varenka had sung the first song admirably.

Maria Yevgenyevna and her daughter thanked her.

“Look,” said the colonel, glancing out the window, “what an audience has gathered to hear you.”

And, indeed, there was quite a big crowd under the windows.

“I am very glad it gives you pleasure,” said Varenka, simply.

Kitty looked at her friend with price.  She was entranced by her art, her voice, her face, but most of all by her manner, by the fact that Varenka evidently did not think much of her singing and was completely indifferent to their praises.  All she seemed anxious to know was whether they wanted her to sing again or whether they had had enough of it.

“If it were me,” thought Kitty, “how proud I should feel!  How delighted I should be to see that crowd under the windows!  But she is quite indifferent.  All she is anxious about is not to refuse and to give Mother pleasure.  What has she got that gives her this power to disregard everything and be so serenely independent?  How I should like to know and to learn it from her!” thought Kitty, gazing into that calm face.

The princess asked Varenka to sing another song, and Varenka sang it just as calmly, distinctly and well, standing straight at the piano and beating time on it with her thin, dark-skinned hand.

The next song in the book was an Italian one.  Kitty played the prelude, and looked round at Varenka.

“Let’s skip this one,” said Varenka, blushing.

Kitty fixed her eyes anxiously and inquiringly on Varenka’s face.

“All right, another one, then,” she said hurriedly, turning over the pages and realizing at once that there was something connected with that song.

“No,” said Varenka, putting her hand on the music and smiling, “no, let’s sing that one.”

And she sang it as calmly, coolly, and well as the other songs.

When she had finished, they again thanked her and went to have tea.  Kitty and Varenka walked out into the little garden beside the house.

“Am I right in thinking that you have some memory connected with that song?” asked Kitty.  “Don’t tell me about it,” she added hurriedly.  “Only say if I am right.”

“Why ever not?  I will tell you,” said Varenka simply and, without waiting for a reply, went on: “Yes, I have.  A rather painful memory, I’m afraid.  I was in love with a man and I used to sing that song to him.”

Kitty gazed at Varenka with wide-open eyes, deeply moved and in silence.

“I loved him and he loved me, but his mother objected to our marriage and he married another.  He is living not far from us now and I see him sometimes.  You didn’t think I had had a love affair, too, did you?” she said, and on her beautiful face there was a faint glimmer of that fire which, Kitty felt, had once lighted up her whole being.

“Indeed, I did!  If I were a man I could not have loved anyone else after knowing you.  I just can’t understand how, to please his mother, he could forget you and make you unhappy.  He was quite heartless.”

“Oh no, he’s a very good man and I’m not unhappy.  On the contrary, I am very happy.  Well,” she added, going back toward the house, “I don’t suppose we shall be singing any more today.”

“Oh, you’re so good, so good!” cried Kitty and, stopping Varenka, she kissed her.  “I wish I were even a little like you!”

“Why should you be like anyone?  You’re nice as you are,” Varenka said, smiling her gentle, tired smile.

“No, I’m not nice at all.  But tell me… please, wait, let’s sit down,” said Kitty, making her sit down again on the garden seat beside her.  “Tell me, don’t you really think one ought to feel humiliated at the thought that a man has scorned your love, that he didn’t want you?”

“But he did not scorn it.  I am sure he loved me, but he was an obedient son…”

“Yes, but what if –– if he did it not because his mother did not want it but because he himself wanted it?” said Kitty, feeling that she had given away her secret and that her face, burning with shame, had already betrayed her.

“Then he would have behaved badly and I should not regret him,” replied Varenka, evidently realizing that they were not talking of her but of Kitty.

“But the humiliation?” said Kitty.  “One can’t forget the humiliation,” she said, remember the look she gave Vronsky at the ball when the music stopped.

“Where is the humiliation?  You didn’t do anything wrong, did you?”

“Worse than wrong –– shameful.”

Varenka shook her head and put her hand on Kitty’s.

“What’s so shameful about it?” she said.  “You couldn’t tell a man who was indifferent to you that you loved him, could you?”

“Of course not.  I never said a word, but he knew.  No, no!  There are looks and ways of behaving.  If I live to be a hundred I shall never forget it.”

“But why not?  I don’t understand.  Surely, the point is whether you love him now or not,” said Varenka, calling everything by its name.

“I hate him.  I can’t forgive myself.”

“Why not?”

“The shame, the humiliation.”

“Dear me,” said Varenka.  “If everyone were as sensitive as you are!  There is no girl who has not been through the same thing.  And it’s all so unimportant.”

“What then is important?” asked Kitty, looking at her face with surprised curiosity.

“Oh, lots of things,” said Varenka, smiling.

“But what?”

“Oh, lots of things are more important,” replied Varenka, not knowing what to say.

But at that moment they heard the princess’ voice from the window:

“Kitty, it’s chilly!  Either get a shawl or come back.”

“Yes, I really must be going,” said Varenka, getting up.  “I’ve still to call on Madame Bertha.  She asked me to.”

Kitty held her hand and with passionate curiosity and entreaty questioned Varenka with her eyes: “What is it, what is it that is so important?  What is it that gives you such calm?  You know, tell me!”  But Varenka did not even understand what Kitty’s eyes were asking.  She only knew that she had to call on Madame Bertha and then be back in time for tea with her maman at midnight.  SHe went in, collected her music, and having said goodbye to everyone, was about to go.

“Allow me to see you home,” said the colonel.

“Yes, indeed, you can’t go home alone at night like that,” agreed the princess.  “Let me at least send my maid Parasha with you.”

Kitty saw that Varenka could hardly restrain a smile at the suggestion that she needed anyone to escort her home.

“No, thank you,” she said, taking up her hat.  “I always go about alone and nothing ever happens to me.”

She kissed Kitty again and, without telling her what was important, walked briskly away with the music under her arm, and disappeared in the twilight of the summer night, carrying away with her the secret of what was important and what gave her that enviable calm and dignity.

Fuck the Recession/Recovery/Whatever We’re Calling Our Dismal Economic State Now

January 20, 2012

I want this crocodile-print leather coffee cup holder from Jimmy Choo, and I DESERVE IT, DAMMIT!

List Thursday

January 20, 2012

Mythical Creatures I Think Are Frontrunners to Succeed Zombies and Vampires As Protagonists in YA-Novel/Spin-off-Movie-Long Allegories of Sexual Frustration

Satyrs

Sirens

Succubi

Incubi

Faeries (but only the kind with an “e”)

Leprechauns

Unicorns (not high on the list –– too obviously phallic)

Mermaids

Genies

Gremlins

Sasquatches

Centaurs

Changelings

Cyclops

Doppelgangers (evil twins)

gnomes (remember David?!)

Phoenixes

Griffins

Goblins

Abominable Snowmen

Pixies

Shades

Quetzalcoatl

Muses (a la Olivia Newton-John in Xanadu)

Callitrix (an ape that always gives birth to twins, one it loves and one it hates –– also called a Hodag)

Oompa Loompas

Pegaeae (spring nymphs)

Psychai (Psyche’s babies)

Shedim (“chicken-legged demons”)

Poltergeists (which are specifically mischievous ghosts who move things)

Titans

Trolls

Valkyries

Menehune (Twenty bucks if you can name a television sitcom from the 80s/90s that featured menehune in an episode)

Banshees

Changelings

The Montauk Monster

Cretan Bulls

 

*Sidenote –– if you are ever bored and want to do something amusing, read Wikipedia’s alphabetical list of “Legendary Creatures.”  It is clear from reading this list that Japanese people are the craziest motherfuckers because back in the day when there weren’t things like science and Christopher Hitchens and people had to make up mystical things for fun and explanation, the Japanese made up hands down the most bizarre beings.  My favorite is definitely “Uma-no-ashi: a horse’s leg that dangles from a tree and kicks passersby.”