Archive for the ‘Things I Love That I Go to Inappropriate Lengths to Track Down’ Category

Tracking Shit Down, Like I Do

December 7, 2012

Years ago, when I was waiting for the autistic child I was taking care of to come out of his occupational therapy session, I read a little blurb of sorts about cool books (there was more focus than this) in the L Magazine.  One of the books written about was a meta-fiction by an Irish writer in which a student is writing a book about a writer who is writing a book and whose characters –– stay with me here –– play tricks on the writer in order to gain control of the plot.  This was all the detail I could remember, and while I mostly have spent the past five years not obsessing over this work of literature, it does crop up in my mind from time to time.  Anyway, I decided on a whim to Google it this slow Friday afternoon and even though I’ve done so in the past with no success, I believe I have found the book I have always remembered, which is titled At Swim-Two-Birds by Flann O’Brien (pseudonym.)

Synopsis, from the Dalkey Archives Press: A wildly comic send-up of Irish literature and culture, At Swim-Two-Birds is the story of a young, lazy, and frequently drunk Irish college student who lives with his curmudgeonly uncle in Dublin. When not in bed (where he seems to spend most of his time) or reading he is composing a mischief-filled novel about Dermot Trellis, a second-rate author whose characters ultimately rebel against him and seek vengeance. From drugging him as he sleeps to dropping the ceiling on his head, these figures of Irish myth make Trellis pay dearly for his bad writing. Hilariously funny and inventive, At Swim-Two-Birds has influenced generations of writers, opening up new possibilities for what can be done in fiction. It is a true masterpiece of Irish literature.

Saul Steinberg does Meta.

Saul Steinberg does Meta.

This book sounds just freaking awesome.  I want in.

 

Baby Molla

December 5, 2012

A while back, a video called Lovely Owl went way viral, mostly due to the footage of an adorable baby owl practically purring while being pet.  The video was shot at an owl sanctuary in Italy called I Falconieri delle Orobie, which I emailed yesterday to ask for an update on the little fella (lady, it turns out.)  Apparently Vice magazine had a similar idea to me, but they actually did a fancy follow-up and went to the sanctuary itself to play with the owls.  Below is my interaction with I Falconieri (my Italian is very limited.)

AWWWW!

AWWWW!

 

Me: Molla!  Come sta?

I: Molla  sta  bene  e  presto  metteremo su  fb delle    nuove foto  … Grazie

[Rough translation: She’s good and now you can see a new photo on Facebook.]

144th Street and Convent Avenue

December 4, 2012
House porn.  Big time.

House porn. Big time.

I wasn’t the first, I’m sure, to make a pilgrimage to the house at 144th and Convent, which has become famous as the house of the fictional Tenenbaum family.  During my freshman orientation at college, I decided to take a little journey deep into Harlem, where I subsequently got stranded and had to call a friend to meet me back at the corner of 115th and Broadway to pay for my taxi.  (There were ten million better ways I could have handled this, but I was a stupid eighteen-year-old, so cut me some slack!)

I’ve been contemplating buying the below print from the People’s Print Shop in order to be able to be with the house always, but honestly, the movie itself doesn’t hold so much of the same romantic draw it once did, as Anderson I feel is a rather twee filmmaker –– the house, however does, so if someone would like to arrange for me to take a private tour of it or to live in a spire bedroom for two weeks, I’d prefer that as a gift.  Merci!

111 Archer Avenue

111 Archer Avenue

It’s Finally HERE!

November 28, 2012

Matt and Ben, by Mindy Kaling and Brenda Withers, has come off press!  A sampling:

MattInterior.  Ben’s apartment.  A lazy Saturday in Somerville, Massachusetts.  Stage right we see a desk, a computer, all untouched.  Center stage we got a second hand couch.  Pan left we see various junk food… and Ben.  Lights up on Ben.  Alone… at the desk.

(Matt exits.)

(Ben is waiting.  He faces the keyboard.  He types one letter.  Deletes letter.  Waits some more.  He straightens a pile of paper.  Waits some more.  Etc. etc. etc.  We understand Ben is fidgety and anxious, anticipating Matt’s arrival.  Matt enters with a pizza.  He is out of Ben’s line of vision, but Ben senses he is there and begins typing voraciously.)

Matt: Hey Ben.

Ben: Hey, Matt.  Long time no see.  Long time… no see.

Matt: The craziest thing –– I’m walking out of Papa Gino’s, and I run into Naomi…

Ben: You’re like two hours late man.

Matt: No.

Ben: It’s twelve thirty.

Matt: Wow.  Well, I was just, uh, picking up the pizza –– here, I got extra cheese –– anyway, so I ran into Naomi ––

Ben: Who is Naomi?

Matt: Naomi from 10th grade, from Ms. Parson’s history class.  Lesbian.  Do you know how I know this?  She sees me in line.  She comes up to me and says “Hi Matt, how are you, how’s the acting doing?”  And I said, “Oh, can’t complain, Naomi, how are things with you?”  And she goes, “Great.  I work at the Radio Shack, in Burlington?  And I’m a lesbian.”  Just like that.  I know!  I know!  So I was like, “Oh Radio Shack?  That’s cool.”  And I left.

Happy Birthday Gonk!

November 15, 2012

From the Dorothy Parker Society email newsletter:

Hotel Salute

This month the Algonquin Hotel is turning 110 years old. When guests checked in on a cold November day in 1902, a room and bath could be had for $2 or $3 dollars a night, and there was a horse stable next door to the hotel. Well those stables are now the famous Blue Bar, and that’s where we are going to have a toast to 110 years of being the best literary landmark in New York. Join us at the bar on Tuesday, Nov. 27, at 6:30 PM for cocktails. The Blue Bar was renovated this spring, and if you haven’t visited, the place is gorgeous. Have a cocktail as we salute the Algonquin Round Table, the hotel, and the many historical events that have taken place. Address is 59 West 44th Street, between 5th and 6th avenues.

I will be there, will YOU?

 

 

Once Again…

November 6, 2012

Check out what’s happening at BAM Cinematek this week:

Hello movie lovers!

This weekend, BAMcinématek’s Puppets on Film series returns by popular demand. One of the best attended programs of last year, this interactive, family-friendly series will feature live performances and workshops for children, a confetti-filled Labyrinth sing-along, Oscar-winning favorites like Babe and Jurassic Park, and unsung gems like the visually stunning Strings.

The week kicks off, though, with our week-long run of Quadrophenia (in a pristine 35mm print!), a classic portrait of British mod culture featuring music from The Who’s epic double album.

We hope to see you here!
—The BAMcinématek Team

Nobody panic.  I’ve already contacted BAM about next year doing A Muppet Christmas Carol.

Is it Haughty To Say She Reminds Me of Myself?

October 30, 2012

Eudora Welty, at 23, asking The New Yorker if she can work for them. Thanks, Letters of Note.

March 15, 1933

Gentlemen,

I suppose you’d be more interested in even a sleight-o’-hand trick than you’d be in an application for a position with your magazine, but as usual you can’t have the thing you want most.

I am 23 years old, six weeks on the loose in N.Y. However, I was a New Yorker for a whole year in 1930-31 while attending advertising classes in Columbia’s School of Business. Actually I am a southerner, from Mississippi, the nation’s most backward state. Ramifications include Walter H. Page, who, unluckily for me, is no longer connected with Doubleday-Page, which is no longer Doubleday-Page, even. I have a B.A. (’29) from the University of Wisconsin, where I majored in English without a care in the world. For the last eighteen months I was languishing in my own office in a radio station in Jackson, Miss., writing continuities, dramas, mule feed advertisements, santa claus talks, and life insurance playlets; now I have given that up.

As to what I might do for you — I have seen an untoward amount of picture galleries and 15¢ movies lately, and could review them with my old prosperous detachment, I think; in fact, I recently coined a general word for Matisse’s pictures after seeing his latest at the Marie Harriman: concubineapple. That shows you how my mind works — quick, and away from the point. I read simply voraciously, and can drum up an opinion afterwards.

Since I have bought an India print, and a large number of phonograph records from a Mr. Nussbaum who picks them up, and a Cezanne Bathers one inch long (that shows you I read e. e. cummings I hope), I am anxious to have an apartment, not to mention a small portable phonograph. How I would like to work for you! A little paragraph each morning — a little paragraph each night, if you can’t hire me from daylight to dark, although I would work like a slave. I can also draw like Mr. Thurber, in case he goes off the deep end. I have studied flower painting.

There is no telling where I may apply, if you turn me down; I realize this will not phase [sic] you, but consider my other alternative: the U of N.C. offers for $12.00 to let me dance in Vachel Lindsay’s Congo. I congo on. I rest my case, repeating that I am a hard worker.

Truly yours,

Eudora Welty

Okay Now You’re Just Blatantly Stealing

October 24, 2012

skinny house!

So when I heard that a Polish architect had volunteered to build a really skinny house in an alleyway for Israeli writer Etgar Keret, I of course immediately jumped on that shit.  Below is an email I sent to his publicist over a year ago:

Dear AD,

Apologies if you’re the wrong person to reach out to about this (I also emailed Ofer Ziv.)  I’m a freelance writer and editor based in Brooklyn, New York, and a longtime fan of Etgar Keret’s work.  A colleague sent me a link to this story about the “Keret House” that is being constructed in Warsaw.

I’m wondering if, first of all, Mr. Keret is still planning to participate in the project (is he going to live in this slip of a thing?!) and also if he does still want to invite writers and creators into the space when he occupies it.  I think it would make a fantastic story,kind of a no-brainer On Location piece in Home and Gardens section of the Times, though maybe there are already scribes lined up to cover it.

Your response is greatly appreciated!  Hope you are well and having a lovely week.

And lo and behold, what is the “On Location” article this week in the Times?  You guessed it.

Book Psychic

October 21, 2012

Or: “Why Is It That Every Idea I Have Is Already Taken?”

A month ago or so, I read an article in the marvelous publication The Jewish Review of Books by philosophy professor Carlos Fraenkel about an “underground” philosophy club he wound up teaching to the Hasidim of Brooklyn.  A little taste (you can read the whole thing here):

“‘How could the medieval thinkers get away with interpreting the Torah according to Aristotle or the Sufis?’ Jacob wonders.

‘Well,’ I say, ‘they thought that if Judaism is true, it must agree with every true insight, even if it came from a Greek or a Muslim. The Haredim, on the other hand, think that they have to shelter true Judaism from any supposedly corrupting outside influence.’

This leads us to discuss whether the Haredi fight against cultural contamination is a lost cause from the start. I point to an interesting passage in Toledot Yaakov Yosef, the first published Hasidic book, by Rabbi Yaakov Yosef of Polnoye, a disciple of the founder of Hasidism, the Baal Shem Tov. R. Yaakov Yosef draws a contrast between a “small” and a “great” struggle; the former refers to a battle with weapons, the latter to the moral wrestling of the soul with the ‘evil inclination’ (yetzer ha-ra). The source of the metaphor is actually a famous hadith frequently cited by Sufi mystics. In this tradition, the Prophet Muhammad tells a group of soldiers that after returning from the ‘smaller jihad’ — the jihad of the sword — they now must take up the ‘greater jihad’ — the jihad of the soul against pleasure. Of course, the Baal Shem Tov and his disciples didn’t study the Sufi masters. But they did study Bahya ibn Paquda’s Duties of the Heart, which was translated from Arabic to Hebrew in the 12th century and became a classic of Jewish thought. Bahya’s account of the soul’s ascent to God was strongly influenced by Sufism and includes a version of the hadith in question, without, of course, the reference to the Prophet Muhammad. As Isaac points out, excitedly, the Satmar Rebbe, Joel Teitelbaum, was also a devoted student of Bahya’s Duties of the Heart!”

I was so taken with the article that I quickly emailed the author, as I am wont to do these days (every day I’m hustlin’) the following:

Dear Dr. Fraenkel,

I read with great with pleasure your article “Spinoza in Shtreimels” in the latest issue of The Jewish Review of Books, which is a fantastic publication I am always glad to get the chance to peruse.  Part of my interest in your piece was my light philosophical education –– I went to This University, which has strict Western Philosophy requirements, nearly all of which I’ve guiltily forgotten save the buzz phrase “categorical imperative” –– and part of it was because I am also a writer who has sort of inexplicably found herself covering a number of stories in the haredi community (upcoming pieces in Tablet and The New Yorker‘s Culture Desk blog.)

The main reason that I’m writing is that in addition to being a freelance writer, I’m also working for a publishing company called xxx, which is located in New York City and run by the venerable PM.  Something about your piece made me feel like there was may be a short book that could come out of it –– perhaps it was the idea of an underground club akin to Azar Nafisi’s Reading Lolita in Tehran or some unavoidable titular association with Chabon’s The Yiddish Policemen’s Union (The Lubavitchers’ Philosophy Club?) –– and I’m writing to see if you thought there is an opportunity here to expand the piece into a book.  Of course, you are the author of the article and also the man with the experience, so you’ll know best whether or not the material you amassed was exhausted in the article, but just perhaps it wasn’t.  If in fact it was, or you are busy working on other projects, I still want you to know that the article was wonderful, entertaining, and pretty damn funny at times.

Let me know if you have any thoughts on this, or you just want me to continue to compliment your writing style and ability to get haredim to warm to you.  I’m good for that, too.

Best,

ID

And his response:

Dear ID,

Thank you very much for your kind words about my essay (and my apologies for the late reply; I just relocated for a month to Berlin with my family and was without internet for over a week–a strange state to be in…).

 

There will indeed be a somewhat longer version of the essay which will, however, become part of a collection of essays titled Teaching Plato in Palestine (the title really does recall Nafisi’s Reading Lolita in Tehran; so your instinct was right). The book will be published by Princeton University Press; I’m not sure if publishing it with an academic press is a wise decision since the book aims to reach an audience beyond academic specialists; on the other hand, I also want the larger project animating these essays to be noticed in academic circles, so I’ll probably stick with Princeton with this.

 

I do, of course, greatly admire PM’s work, and may well come up with something in the future that might be a fit as my writing moves further away from academia. So thanks for your inquiry!

All the best,

Carlos Fraenkel

My, that Fraenkel is a nice man!  And finally, my somewhat cheeky reply to him:

 

Dear Carlos,

Woah… so… what you’re saying is basically I’m psychic re: book titles/themes?  I think that is what you’re saying.  I’ve got to add this new skill to my resume.

Anyway, your new move and the new book sound very exciting indeed!  I’ll be keeping an eye out for its release (unless you want to save me some trouble and tell me know when it’s coming off press?) and for future pieces in JRB and other places.  Please do keep me and X Publishing in mind for future work!  We actually do a lot of stuff that has an academic bent but is aimed for a lay readership, so we may just be the perfect place for your next project.

Hope to speak again some day!

 

The moral of the story is: even if an idea you have has been “taken,” it feels better than it being flat out rejected, so awkwardly email away!

ROOM 237 DOCUMENTARY

October 19, 2012

I emailed the producers about this Shining conspiracy theory documentary in January of this year to inquire about screenings.  Allegedly being ahead of the game doesn’t get one anywhere at all.  Note to self.  Well, it appears that it premiered at this year’s New York Film Festival, and won’t be out until March 2013, and even then only in small release.  The film’s website says it’s about the below:

ROOM 237 is a subjective documentary feature which explores numerous theories about Stanley Kubrick’s “The Shining” and its hidden meanings.  This guided tour through the most compelling attempts to decode this endlessly fascinating film will draw the audience into a new maze, one with endless detours and dead ends, many ways in, but no way out.  Discover why many have been trapped in the Overlook for 30 years.

Chuck Klosterman, who saw the film (bastard!), gives the following details:

“[The documentary] approaches The Shining from the perspectives of five obsessive theorists (none of whom are ever shown onscreen — you only hear their voices). Two of the theories are really just deep critical readings of the film: One insists The Shining is about the Native American genocide and the other suggests The Shining is a metaphor for the Holocaust. The other three hypotheses are less reasonable, but more creative and inimitable: One person sees the entire film as Kubrick’s unspoken confession that he faked the moon landing. Another focuses on secret images in the movie that involve the Greek myth of the Minotaur; the third is built around the premise of subtextual synchronicities that hinge on watching the film backward and forward simultaneously.”

Behind the scenes!

Oh, how I do want to see this film!  I have my own conspiracy theory about The Shining that involves the man in the bear costume giving a blow-job to the random ghost at the end of the movie when Shelly Duvall is running around looking freaky and feeling freaked, but I’ll save that for another time.