So Maybe My Writing Career Is Going Better Than It Ever Has

August 2, 2012

… but, ever the pessimist, I realize I may have awkward moments like this to look forward to:

“[Holt’s] accounts of his visits with various intellectuals tend to provide comic relief as well. The Oxford physicist David Deutsch, for example, reminds Mr. Holt that he’d once reviewed one of Mr. Deutsch’s books negatively (‘arrogant in tone and marred by leaps of logic’) in The Wall Street Journal. He generously speaks with the groveling Mr. Holt regardless.”

~ from today’s NY Times article about Jim Holt’s Why Does the World Exist?

This Book is Fucking Amazing

August 1, 2012

“Just then a young girl stopped us and invited us to partake of her.  My friend asked at once: ‘How much?’

She mentioned a sum.  ‘That’s too much,’ he said.  She came down.  Still he shook his head.

‘Come,’ she said finally, with a weary expression on her sallow face.  ‘I don’t want any money.  I just want you.’

Whereupon he took his watch out and said: ‘It’s too late.  Sorry, some other day, if you don’t mind.’  And taking me by the arm he started to move off.  She caught and held me.

‘For nothing,’ she repeated with despair in her deep-sunk eyes.  See, I’m rich.’  She opened her purse and pulled out a roll of bills.  Rolls of bills mean nothing much in France, but indeed she might have been rich.  She was well dressed, I noticed.  Nothing extravagant, but certainly not poorly.  Her whole body trembled as if in fever.  And the tremors coursed through her hand and communicated themselves to me.

My friend tore me away.  As we hastened on, I looked back and saw her standing where we had left her, her hands covering her face.

‘Why did you do that?’ I asked.  The action of my new acquaintance had disgusted me.  He had meant only to tease her.

‘I wanted to see how far down she would come.  I’ve had them come down to two francs, but never to nothing.  But her case can’t count because she wasn’t after money.  She’s a pathological case.'”

–– Guy Endore, The Werewolf of Paris

Lazy

July 31, 2012

No bones about it –– I’ve been lazy recently.  Luckily my job provides me with lots of free entertainment in the form of book proposals put together by crazy, egomaniacal, or genius people.  The below author is obviously a combination of the three.  (He’s a contributor to “over a dozen” Chicken Soup for the Soul books.)

*Note: I’m definitely breaking at least a moral code, if not a law, by posting this.  I’m too lazy to even apologize.

 

Dear Editor,

Rap/hip hop is one of the most misunderstood forms of music in the world. Some believe it doesn’t require any musical technique, theory or talent. Others find the lyrics offensive. But hip hop artists sing about life on the streets, in sometimes impoverished, problematic areas. Because rap comes largely from a culture that has a lot of problems, people tend to think that the music is the cause of these problems rather than an observation of them. Unfortunately, there are rap fans and reactionary journalists who still believe this as well.

That’s why the best age for children to learn about rap/hip hop music is when they’re young and able to form their own opinions. Meet Kurtis Croak, a hip hop frog who isn’t into throwing down gang signs or ganking another toad’s log. Kurtis and his friend, Master Toad, hope to tutor a young frog named Lil’ Wog in the true culture of hip hop. First, though, they must convince the other frogs in the bog that the music is both respectable and inspirational.

Kurtis Croak is a picture book that will find a place in the hearts of young children, and help them understand and appreciate the music of cultures other than their own.

Kurtis Croak

The Hip Hop Frog

Warning: This story bangs real hard.

 

Once there was a frog who lived in a bog,

his name was Kurtis Croak.

He wore a do-rag wrapped around his head

and his jeans were slung real low.

 

Kurtis had a rapper friend

known as Master Toad.

Fistfuls of bling hung on his neck,

‘cause that was how he rolled.

 

The two would chill for hours a day,

catching mayflies on a stump.

They’d discuss the old school rappers

Like Frogface, Sticky Tongue and M.C. Jump.

—

Of course I won’t include the whole rap here.  You’ll have to bribe me to get it!

 

Answer

July 26, 2012

A reader saw the picture of “Mecca” I posted on a few days ago (maybe?) and emailed me with this question:

I’ve been trying to find out that too, I thought it might have been the US or Northen Africa, judging by the colour … maybe Jordan? No idea, I’m just guessing. I would love to know more about it’s construction too. The Kaaba [shrine] looks concrete but the rest is kinda cardboardish. If you do manage to find more information please drop me a line!

My brother, who sent me the picture originally (via VVORK), contacted the artist and got a quick and thorough response.  The artist is French, so I’m editing for clarity/grammar.  See below:

 

Dear IS,

Thank you so much for your email.

The image you saw on VVORK website is a photo that I shot in Ouarzazate ( Morocco).

This installation is a cinema set abandonned in the desert after the shooting of the movie :

Journey to Mecca, in the footsteps of Ibn Battuta.

The movie has been directed by Bruce Neibaur in 2009.

I’m very interested in relation that Muslim people have with this holy object.

I don’t really have a statement for this particular work but it refers to aspect of my work.

I’m interested by surfaces and what is hidden behind the surface.

In the case of the Kaaba, there is like a mystery. It’s a black box, almost empty.

I grew up in two cultures. I navigated an Arab culture in the private sphere and a Western culture in the public realm. This particular kind of double consciousness, common to those who’ve migrated to culturally different societies, has provided me with a regard defined by the superimposition of two distinct cultural filters. When I look at Tony Smith’s black cube, for example, it is difficult for me not to think of the Kaaba.

My video work “The Message”, 2010 is exemplary of this perspective. I used a cult film from the 1970s which recounts the birth of Islam. Two identical versions of the film were made simultaneously: one with Arab actors, the other with American stars. I combined these two versions to create a single film wherein Arab and American actors relate with perfect mutual understanding despite speaking their respective language.

My parents have lived in France for over 30 years, yet they are continually looking toward the Arab world. Their satellite dish, like their bodies in prayer, points eastward. My photographic series “Musallat”, 2010 shows places of Muslim prayer in Montreal, Canada. This work is an exercise in the metaphysics of photography: the camera obscura is directed toward the source of light (the East) just as the faithful orient themselves towards Mecca. While looking at the photograph the spectator also looks in the direction of this sacred site. The tropism reflected in these images attests to my geographic and psychological position in the world both as an individual and as an artist.

—

An abandoned film set!  How very Fellini.  Now, on to find The Message!  

AHHHHHHHHHHHHHHHHHHH

July 24, 2012

TERROR!

I was walking through SoHo early this morning, still kind of fuzzy from sleep, and I looked into the window of the Louis Vuitton store and YAYOI KUSAMA WAS FUCKING STANDING THERE STARING AT ME!

Of course then I realized it was a statue, but still, for a second, I thought I had met my demise, and it was in the shape of a short, plump little Japanese wacko.

Tonight I will not sleep well.

Me, Wishing I Were Eddie Pepitone

July 24, 2012

1. Launch Kickstarter fund to help me raise money buy frum clothing so I can blend in in Borough Park

2. Write essay on origins of pedophilia using Lolita and Soula Coaster: The Diary of Me by R. Kelly as example texts

3. Get friend to explain to me why the charity event for the National Eating Disorders Association is a walk-a-thon rather than a conserve-energy-and-eat-a-sensible-snack-a-thon

Cleaning Off My Desktop

July 23, 2012

I’ve been trying to figure out where this installation by Faycal Baghriche is, to no avail.

FANCY REHAB

July 19, 2012

 

Some of you may know that if I am against one thing I am vehemently, it’s fancy rehab.  See below, by Sean Michaels in The Guardian, for starters:

Pete Doherty has been thrown out of rehab, just halfway into his treatment at a clinic in Thailand. The singer’s departure was provoked by his disruptive behaviour toward other patients at the Cabin, in Chiang Mai.

“We are of course disappointed to see [Pete] leave,” wrote the Cabin’s director, Alastair Mordey. “It is important to maintain the integrity of the treatment programme for the other clients to have a good chance of recovery. Pete understands this and therefore the reasons behind why we have asked him to leave.”

“We hope some of the things he has learned here will help him in the future,” Mordey continued, “and look forward to the day when Pete decides to consider recovery again.”

Doherty checked into the Cabin at the end of June to overcome his addiction to heroin and crack cocaine. His “rigorous treatment programme” was to include yoga, elephant trekking and cognitive behavioural therapy. With costs of about £7,200 a month, the Cabin boasts a 96% “treatment completion rate”.

The singer’s decision to travel to Thailand, with manager Andy Boyd, resulted in last-minute cancellations at T in the Park, Rock for People and the Super Bock Super Rock festivals. The former Libertines singer has now reportedly returned to London, where he is working on a new solo album with producer Adem Hilmi. Several of these songs have been posted as demos to Hilmi’s blog.

—

Ah yes, elephant trekking –– the backbone of any rehabilitation program.  Unless he was riding the elephant naked  through the dark jungle in order to find berries, which were his only source of nutrition, I’m not sure how I see the character-building element to this?  Isn’t it more like ecotourism, or just plain VACATION?

Rehab is not a place where you go to make friends or ride horses or sit on the beach, and if you are going somewhere that looks like that, then I call bullshit.  Check out a review –– yes, there is essentially a Yelp for rehab –– below of a place called The Beach House, which costs $10,000/month, or $20,000 for a private room.  Comments in bold.

The Beach House 4 stars (4 STARS!  Michelin Stars?  Rotten Tomatoes?)

This relaxed sober-living manse is a great next step for rehab grads who’ve become enamored with the Southern-California recovery lifestyle—so long as you don’t mind just a touch of obligatory “bunch of strangers living together” drama.

A crackhead plays with her dog on the beach.

 

 

 

Only thing missing is a margar… woops.

 

Price: $10,000/mo. $15,000–$20,000/mo. for a private room

Insurance: No (Why would insurance pay for a spa stay?)

 

Overall: 4 stars

Accommodations: 5 stars

Treatment: N/A   (Why is the treatment N/A?  Shouldn’t this be the only thing residents weigh in on?)

Food: 4 stars

Detox: No (Too messy for this manse)

Built into a cliff along a rugged stretch of Pacific-Coast sand you’ll find Malibu Beach Sober Living’s Beach House, a halfway house like none other. Standing five stories tall, this idyllic sober-living home is all big windows and light, surrounded by palm trees and with four beachfront decks—the better to foster a sense of serenity and ease, as its primarily upper-class residents transition from rehab back into real life.

 

The main drawback? Beach House residents may get too attached to this California sober-living center, and to the luxurious private or semi-private suites they’ll call home for varying amounts of time; former residents told The Fix that they lived here for anywhere from three months to more than a year. (I smell cult) Owner and executive director Kimberly James—who’s also worked at Cliffside Malibu, Cirque Lodge and Passages—has a way of making potential residents feel comfortable about choosing the Beach House as the place to continue their recovery. One alumnus said, “Kimberly gave me a tour of the house, and it seemed like a great place to get sober with such a beautiful environment.”

 

Once they move in, the max of nine residents, who range widely in age, from 18 to 55, get along—for the most part. “There was drama, obviously, but drama will occur anytime you have a bunch of strangers living together,” said one Beach House denizen who’s apparently well acquainted with MTV’s The Real World. Another cited his annoyance at one roommate in particular, who he didn’t think should have ever been admitted to the sober house. “Her apathy got on my nerves,” he said, adding, “Maybe I was jealous of how little a crap she seemed to give about anything.”

But more importantly, a survey of former residents suggests that a majority of those who come here are serious about staying sober, and encourage their roommates to do the same. Describing what may be the best kind of peer pressure, one Beach House alumni noted, “I was resistant at first to attend 12-step meetings, but eventually I got [so] sick of being at the house all by myself that I started going as a social thing—and then I really started liking it.”

Another thing that people really seem to like here are the healthy and varied meals—and if you don’t like what’s on the menu, you can add items to the shopping list and cook for yourself in the house’s open, modern kitchen. Weekend brunch includes eggs, pancakes, hash browns, bacon and the like, while at dinnertime residents dig into stuffed chicken (a chef specialty), fish, steak and more. (What, no foie gras?)  A nearby roadside stand keeps the kitchen stocked with fresh fruits and vegetables—and every once in a while, there’s an all-vegan dinner, “which were very few, thank god,” said one resident. On Thursday evenings, Beach House chefs fire up the barbecue to grill steaks, hamburgers, chicken and other outdoor favorites, followed by an in-house, semi-open AA meeting.

Beach House staff are generally well-liked by their clientele, who reportedly enjoy shooting the breeze with them just as much as they do their roommates. Of course, that could have something to do with staff not having a whole lot to crack the whip about, given that the daily schedule is much more low-impact than a full-on treatment center. Residents are required to engage in two hours of “recovery work” daily, (I do appreciate the quote marks here) whether therapy or a 12-step meeting or something along those lines—but besides that, your time is your own. Household chores are limited to the very basics, such as cleaning up after yourself and putting things away. “There were housekeepers who took care of the dirty stuff,” said one former resident.  (How does this count as transitioning back to real life, then, if you don’t do your own laundry?  Well, I guess these ARE mostly upper class people.)

The focus at the Beach House is on providing a supportive environment where clients can strengthen the foundation of their recovery—not on restrictions or deprivation. As such, using one’s cell phone, surfing the web or watching TV is allowed at any time—in fact, the place has 17 flat-screen HD TVs with premium cable. (Fuck. Off.)  Such a policy can be good for a sober-living house, said one resident, because “there is nobody in my life back home who will restrict me, so to say that I had to have the lights off at 10 pm or something like that would be really stupid.” House rules are similarly low-impact, although some basic things like no smoking indoors, no blasting the TV or stereo at odd hours and so on are enforced pretty rigorously.

Fitness-minded residents can avail themselves of either the small on-site gym, or a larger one three miles away, to which everyone in the house gets free membership. You can also splash around in the small, infinity-edge house swimming pool, chill out in the hot tub or just hang out on the beach with your roommates. In fact, one of the best parts of living at the Beach House are the parties—for Valentine’s Day, New Year’s Eve, Super Bowl Sunday and so on—wherein lots of sober people from neighboring facilities as well as Beach House alumni, family and friends, get together for music, food, pool volleyball and more. “Just general good times,” said one alumnus.  (Just like rehab should be!)

—

You’ll probably say, “To be fair, ID, this is a HALFWAY HOUSE, and not a rehab,” but still, I stand by my conviction that rehab shouldn’t be a spa.  If this is the halfway point, then I’m sure the residents’ rehabs had… what, 9 HD flat screen TVs?  With that kind of incentive to stay sober, why, relapse should be all but unheard of!

End rant.

How Odd

July 17, 2012

Somebody posted a picture of my living room on their blog.

That’s Slash!

How is it that they could have stolen such a shot?  The only people who have been there recently are the 12 carefully selected invitees to the Parlor Party, my houseboy, Oscar, and the string section of the New York Philharmonic.  Curious!

More Yayoi?

July 17, 2012

I told my friend that I hate to feed a trend. “Trend is an empty/ridiculous term nowadays. Embrace the dot!”

Can it be?

She illustrated a version of Alice in Wonderland?

FYI, I think Atlantic Wire writer Maria Popova suggested that, “Since childhood, Kusama has had a rare condition that makes her see colorful spots on everything she looks at.”  I think this is untrue.  I think she’s just obsessive –– it’s a psychiatric condition rather than a neurological one (I’m heading the committee that is fighting for more obvious distinctions in the new DSM.)  Maybe I’m wrong, though.

That is an excellent question, Yayoi.